Tuesday, 4 March 2014


Student name
1st choice
2nd choice
3rd choice

 

 

Please give reasons why you think you would be able to be effective in your first choice of production role



 







 

 

Year 11 production roles
JOB
RESPONSIBILITIES
  • What planning/preparation, skills & tasks are involved?
  • What materials/equipment are needed?
  • What obstacles to get in the way of the job being completed by performance?
  • How could these be overcome?
Deputy Stage Manager
 
I feel every manager need an assistant that helps them assist with the planning, coordination, development, administration. Experience is very helpful in securing a job, but not always necessary depending on personal skills and credentials.
-      By taking messages, phone calls etc. and assisting in general, including taking over the DSM’s duties when required. Duties include: helping director and artists with errands etc. when they cannot spare their own time, checking props, furniture etc, operating sound and other technical equipment etc.
 
-      We then have three dress rehearsals which are coordinated by the stage manager and DSM. The aim is to create a performance that runs smoothly with all aspects of the production coordinated to happen at exactly the correct moment in the script or at a particular moment determined by an actor’s action
 
-      as a deputy stage manager I have been responsible for cueing graves to be opened, gunshots, glitter to fall, the set to revolve, telephones to ring, dead bodies to be flown out of vans, large walnuts containing goblins to be pushed onto stage and apples to fall from trees. What a wonderful hobby.
 
-      The type of hurdles you may have to face is making sure you take leadership
 
 
 
 
 
 
 
 
 
Assistant Stage Manager
 
 
 
-      Assistant managers have various of duties like: setting schedules to developing solutions for problems that arise during operations. They often help with hiring and training, and should be able to handle the day-to-day tasks of the manager if they are absent.
Extensive knowledge of the specific company and industry where these assistants work are essential
-  It is usual for at least one ASM on the team to also learn the Book, with a view to running the show in the absence of the DSM. While learning the cues which necessitates shadowing the DSM throughout the show (as well as extra tuition during the day) the CSM (company stage manager) will cover their cues, although it may be possible to share the extra duties around the remaining staff.
 
-      This is in no way an exclusive list of stage management duties. The basic duty of the stage management is to prevent anything bad from affecting the production and to facilitate the best possible conditions for the production to reach its full potential. Having distributed the duties within the team, the members should make themselves familiar with one another’s duties in order to cover each other if need be.
 
-      The type of equipment that would be used is something called a show report which means the assistant manager writes what happens throughout the day and takes notes.
 
-      They take care of props and making sure the props are ready for each scene and the prop table is prepped.
 
-      They helped prepare Each scene change and take notes accordingly so at any time the director can turn and ask about light or if a person should be wearing anything specific and the assistant should be able to know.
 
 
 
 
 
 
 
 
 
 
CHOREOGRAPHER
 
 
 
 
 
 
 
 
 
 
 
 
 
DRAMATURG
 
 
 
 
 
 
 
 
 
 
 
MARKETING TEAM
 
 
 
 
 
 
 
 
 
 
 
 
Makeup team
 
 
 
 
DESIGN TEAM
This will be made up of 3/ 4 people :
 
 
 
 
 
 
TECHNICAL TEAM
This will be made up of 3 / 4 people:
 
 
 
 
 
COMPANY MANAGER
 
 
 
 
 
 
 
MUSICAL DIRECTOR
 
 
 
 
MUSIC TEAM
 
 
 
 
 
 
fundraising
 
 
 

 

 

Wednesday, 16 October 2013

-The interview with Rhona crocker

Rhona crocker Is currently doing a play called one man to governors on the west end stage. As a class we asked her various of questions and she gave us useful answer in which some of the information can helps us to be potentially a good actor. She gaves us tips in how to keep you character in a piece of theatre fresh and to keep it alive for every performance in which she suggested de familiarization meaning you could:
- say your part in another accents
- or stick likes around the room to keep it physical
And other techniques.
You loose your nerves that gives you the spunk and not being lazy
Her are examples of some of the question we asked her and her responses either her own words or my interpretation :


Which has been the best payed job you've had so far ( theatre )?
- West end is the best payed job

Have you ever Done anything that made you feel uncomfortable ?
- "I take each job as it comes... I had an audition in a play which had racy characters and nudity and I had a gut instinct not to do it and I didn't do it.

What is your First ever job ?
- There's a theatre company - (you perform for a year going around to small theatre and church or small events.

( During the interview she gaves us some quick steps into succeeding in drama schools and the future )
- work really hard and
Get your pieces that you've written together.
Grab any opportunity to perform and
Any skills ye have use them and
Be as good as you can be.

(Then we continues with more questions )

Who is your agent and how did you get one ?
- PPJ ( agency ) - is her agency.
 She has an comedy agent who she met at the edinbrough fringe festival for she was playing an understudy for a big show .... "I saw lots of shows for free and I wanted to do comedy.." And she had a friend and her agent saw her and liked her and got into further contact.
Janie jenkin is her agent.

How do you keep you agent happy?
- communication with your agent.
If its quite you get worried.
 Keeping up a relationship
Its Different for different people.

Have you done any tv work and which one do you prefer?
- " I done little bits "
Minstrels advert "( every time they wanted to view it I got payed and it payed for my flat )"

What's your favorite
 kind of acting ?
- comedy .
 
Did you have any back up jobs?/ did you ever decide not to do acting?
- 18 months in a flower shops
And " yes I did think about giving up on acting "

Where did u study?
- italia conti

Who are you inspired by?
- Maggy smith
 "Anyone good at what they do I admire"

How do you get into character and getting a job
- she wanted 2 play the air head and she got excited and she then further developed her interpretation of the character to audition something original.
She then added as an extra piece of advice:
" Because your creative and you want to keep it fresh and when I'm tired I do interesting things and eating well so at work I'm awake and not tired each night I was thankful and making it fresh for the audience."

Overall it was an good interview and I enjoyed asking her question and hearing her response.
 
Interview with Kim Vithana

Kim vithana started off given us some information of her background getting into acting and her experience of acting went to rose bruford of performing arts and she started off as a stage manger and learning behind the scenes of acting not just stage work what I think is important for its good to have a broader knowledge about all aspect of theatre.
she then later done a degree.
Kim has done some tv work on a bbc regular series in which she learned various skills like absailing and learning how 2 fire a gun. being on tv meant she got to go to
- party's and Award shows.
However the flip side was when she wasn't on tv or in any theatre work not working effected her confidence.
Kim gave's us advice about auditions and how to handle it when its negative news. She said do not question on why they didn't ask u back or think was you good enough and done over analyze the situation you need to heave self discipline and no what yur job is and as An actor you are supose 2 create and interesting character that serves the text. Don't think about it and
Your going there to present what you do not to get the job.
You can only do so much and make sure you Connect with the character don't just read the lines.

Later on her talk we had 10 minutes to prepare our little scenes we got given on scripts to perform/audition to mr wrenisson and herself and I was looking forward to performing my scene with claudia and getting feedback on how we interpreted the text as usually I'm not the first to put my hand up but I was disappointed when not all groups got to perform as
Not just myself but others would of also loved the experience.


Monday, 7 October 2013


 Using public transport how would you get from Selhurst to the Royal Court?

- you would get a train from selhurst to London Victoria and then from London Victoria change and get the underground to the slone square and then as you come out of the station the royal court is to your right.

2) What plays are on at the Royal Court at the moment?

- the ritual slaughter of gorge mastromas ( by Denis Kelly) and routes( Rachel de-lahay )

3) What are the reviews like for these plays?

“A twisted, darkly witty morality fable”
“Tom Brooke is wonderfully compe“Startlingly idiosyncratic and often surprisingly funny”

“Anyone willing to embrace the authentic excitement of an individual voice matched by an ideal production are in for an fascinating, if bracing, ride.”

“Blessed by the adroit pacing and perfectly judged acting of Featherstone’s completely unified Roots



“Kafka sans surrealism, an account of bureaucratic absurdity that doesn’t hide behind absurdist humour

“The writing is tender but fat free, hardened and intensified by director Simon Godwin’s no frills in the round production.”



“A big step forwards for [De-lahay], a troubling drama that points to yet another sign that a sense of compassion is slowly seeping out of British society.”

3 stars



“De-lahay admirably avoids the pitfalls of sensationalism and sentimentality… her dialogue has a jagged authenticity that conjures the grimy urban backdrop of fast-food shops, cramped living conditions and grim official interview rooms”

3 stars



“A Vigorous and dynamic piece… sharply directed by Simon Godwin”





4) What play that started at the Royal Court and stars Mark Rylance is now an international success?


Jerusalem opened at the Royal Court Theatre in July, 2009 with critics praising playwright Jez Butterworth’s beautiful and comic elegy for a disappearing way of life in rural England and actor Mark Rylance, who was lauded as delivering one of the great stage performances of our time. The production played an extended sold out run at the Royal Court, before moving to the Apollo Theatre in the West End in January, 2010, where it received an unprecedented set of five-star reviews from 12 London newspapers.

“A great sprawling brawl of a play. Mark Rylance is astonishing.”
The New York Times

“An instant modern classic.”
Daily Telegraph

“Wildly original, exceptionally funny.”
Mail on Sunday


“One of the greatest performances ever witnessed.”
Daily Telegraph

“You’d be mad to miss it.”
Time Out London



5) Who is Dominic Cooke?
Dominic was Artistic Director of the Royal Court 2007 – 2013. He was Associate Director of the Royal Court 1999–2002, Associate Director of the RSC 2002–2006 and Assistant Director of the RSC 1992–1993.

Aunt Dan and Lemon and The Fever by Wallace Shawn; Seven Jewish Children by Caryl Churchill; Wig Out! by Tarell Alvin McCraney; Now or Later by Christopher Shinn; War and Peace and Fear and Misery by Mark Ravenhill; Rhinoceros by Eugene Ionesco; The Pain and The Itch by Bruce Norris; Other People by Christopher Shinn; Fireface by Marius von Mayenburg; Spinning into Butter by Rebecca Gilman; Redundant by Leo Butler; F***ing Games by Grae Cleugh; Plasticine by Vassily Sigarev; The People are Friendly by Michael Wynne; This is a Chair and Identical Twins by Caryl Churchill.

6) How old do you have to be to start the young writers programme?

- 18 - 25 and 26 + 


7) How much does it cost to be on the young writers programme? 

The course is completely free but you are required to go there  for a 12-week period once a week.

8) Which wine merchant supplies their restaurant with wine?

"Our comprehensive wine list has been selected from London wine merchants Bibendum and includes Organic wines, Prosecco and Champagne".

9) How much does a chocolate brownie cost in the Royal Court cafe?

-  £2.50 - 2.75

10) What plays can you see at The Bussey Building this Autumn?

-  children of fate 30/10/13-24/11/13